Graduate School of the Arts and Humanities (GSAH)

Events
Schlüsselkonzepte der Geistes- und Sozialwissenschaften

Beyond Line and Circle

Wednesday, 2024/02/28, 14:15


Die Lektürekurse zu ausgewählten Schlüsselkonzepten in den Geistes- und Sozialwissenschaften finden im Rahmen des Pflichtbereichs des Doktoratsprogramms Interdisciplinary Cultural Studies statt. Er versteht sich als ein Peer-to-Peer Workshop, in dem die Teilnehmenden ihre Lektürevorschläge einbringen und diskutieren können.

Event organizer: Interdisciplinary Cultural Studies | Graduate School of the Arts and Humanities | Walter Benjamin Kolleg
Speaker: Dr. Toni Hildebrandt, Universität Bern, Institut für Kunstgeschichte
Date: 2024/02/28
Time: 14:15 Time
Locality: Seminarraum 228
Mittelstrasse
Mittelstrasse 43
3012 Bern
Characteristics: open to the public
free of charge

Dates

28.02. and 18.03.2024, 2.15-6.00 pm

ECTS

2 (Pflicht- oder Wahlpflicht- bereich ICS / Wahlpflicht- bereich GS, SLS, SINTA)

Language

Depending on participants english or german

Registration

via KSL und E-Mail to michael.toggweiler@unibe.ch

Abstract

The philosophy of time can be told as a story of two models: line and circle. On the one hand, the notion of the succession of past, present, and future, the linearity of eschatological narratives of the end, and the utopian idea of progress; on the other, the circular movement of the days and seasons, the eternal-return-of-the-same, and circulation in the economy. Since early capitalism, the clock has united these two models: the circle in its appearance and functionality, but also the idea of determining time as an exact time, acting according to it, and thus “linearly pursuing” a goal in its directionality and use.

The first seminar will introduce these two hegemonical models of time – circle and line – and subject them to a consciousness-raising critique. In contrast, we will discuss time models that consciously break with the idea of linear or circular time; focusing on Walter Benjamin’s “now time” (“Jetztzeit”, kairos), Jacques Derrida’s theory of a “hauntological” experience of time in aporias and paradoxes and Paul B. Preciado’s intersectional trans-perspective on a present in and of transition.

In the second seminar we will explore these different time models in the arts. Examples include Marguerite Duras’ construction of aporetic time experiences in film and literature, the difference between world-historical “absolute” and an everyday “imaginative time” proposed by architect Arata Isozaki, or the proper time stored in artifacts, the “shape of time” (Kubler) of material culture.

Possible Readings

Benjamin, Walter: The Arcades Project, Harvard: Belknap Press, 2002.

Derrida, Jacques: Given Time: I. Counterfeit Money, Chicago: Chicago University Press, 1991.

Isozaki, Arata, “On Ruins”, in: Lotus International 93 (1997), pp. 34–42.

Kubler, George: The Shape of Time: Remarks on the History of Things, New Haven: Yale University Press, 1962.

Preciado, Paul B.: Dysphoria mundi, Paris: Grasset, 2022.

Stravrinaki, Maria: Transfixed by Prehistory: An Inquiry into Modern Art and Time, New York: Zone Books, 2022.